The third bronze door designed by sculptor giperti for the Florence Baptistery in 1435 should be regarded as a major change in the artist's artistic principles. It took him 27 years to finish the painting, which became a masterpiece of the Renaissance. Here, he gave up the traditional Gothic decoration of the foursome and expanded the life of the relief into a box. According to the biblical stories he used, reliefs have more plot levels and a stronger sense of perspective from high to low. They formed a perfect sculpture. Some compositions contain several themes, which makes them more symbolic and readable than narrative.

　　在这五幅画的周围是一些小雕像和头像，作为一种装饰(包括一尊吉佩尔蒂的雕像)，并且沿着整个长方形门的外边缘添加了文艺复兴时期的花朵、树叶和水果的图案。松了一口气后，在全镇引起了轰动，每个人都跑去看。教堂称它为天堂之门。米开朗基罗也高度评价了这扇美丽的大门，说它配被称为天堂之门。

　　Around the five paintings are statues and heads, as a decoration (including a statue of gippetti), and Renaissance flowers, leaves and fruits are added along the outer edge of the entire rectangular door. After a sigh of relief, it caused a sensation in the whole town, and everyone ran to see it. The church calls it the gate of heaven. Michelangelo also spoke highly of this beautiful gate, saying it deserves to be called the gate of heaven.

　　画家广泛运用他所精通的透视技术，将人物刻画得细腻可信。门口的青铜浮雕显示雅各穿着绵羊的衣服，假装他的兄弟，跪在他父亲面前接受祝福(右边)。雅各在拉班的家里工作了七年(图中)，雅各的妻子和孩子们(图中)都在一块板上。青铜门浮雕的背景是罗马拱门，体现了作者对古代的向往。这种艺术手法反映了文艺复兴时期对古代艺术的崇拜。总之，青铜门上的浮雕充分体现了作者对光学、透视、解剖学的深刻认识，也标志着一种新的艺术风格的诞生。

　　The painter widely uses his proficient perspective technology to portray the characters with delicacy and credibility. The bronze relief at the door shows Jacob in sheep's clothing, pretending to be his brother, kneeling in front of his father to receive the blessing (right). Jacob worked in Laban's house for seven years. His wife and children were on the same board. The background of the bronze door relief is the Roman arch, which embodies the author's yearning for the ancient times. This artistic technique reflects the worship of ancient art in the Renaissance. In short, the relief on the bronze door fully embodies the author's deep understanding of optics, perspective and anatomy, and also marks the birth of a new artistic style.

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